For this matter, it was a real first to give carte blanche to 8 perfumers creators. So, they were able to choose freely a work of art, and imagine the perfume of their painting or sculpture. \u00a0As a matter of fact, Ramdame Touhami and \u00a0Victoire de Taillac, the founders of the Officine Universelle Buly 1803 never stop to dare and rewrite the codes of the perfumery, by creating numerous artistic, innovating projects. Here is the story of the four fragrances among the eight works of Art, that were chosen.<\/p>\n
<\/p>\n
The Nymphe au scorpion from Lorenzo Bartolini by Annick M\u00e9nardo<\/span><\/strong><\/h3>\n\u00a0<\/strong><\/p>\nAnnik M\u00e9nardo chose \u00ab\u00a0 the Nymphe au scorpion\u00a0\u00bb, one the major work of art \u00a0of the 1845 exhibition. Lorenzo Bartolini is the sculptor who is\u00a0the perfect representative of the purist movement, at the very heart of the neo-classicism and romantism. One can see that from this work of art, emerges a form of sensuality, where the young lady is about to loose her \u00a0virtue, altough procted by the sorpio. In fact, the marble of the statue reveals a nearly true effect of the skin, underlined by the curves and the counter curves of the model.<\/p>\n
<\/p>\n
![\"Buly](\"https:\/\/faireletourdumondeenparfums.com\/wp-content\/uploads\/2019\/10\/Annick-M\u00e9nardot-La-Nymphe-au-Scorpion-de-Bartolini-683x1024.jpg\")
<\/a><\/p>\n <\/p>\n
Regarding, the olfactive interpretation, Annick straight away thought of a white,smooth and polish tree.\u00a0\u00bbI used the aldehydic notes, also metallic notes such as coriander and musk in oder to suggest\u00a0 the young age of the nymph. But on the other hand,the poison of the scorpio is implied by the regressive sour almond\u00a0\u00bb says Annick Menardo. So, in one word it is an contemporary aldehydic fragrance.<\/p>\n
Other perfumes created by Annick M\u00e9nardo<\/span><\/strong><\/h4>\nBois dArgent from Dior, Hypn\u00f4se by Lanc\u00f4me, Ja\u00efpur for Men by Boucheron.<\/p>\n
<\/p>\n
Saint Joseph Charpentier from Georges de la Tour by Sidonie Lancesseur<\/span><\/strong><\/h3>\n <\/p>\n
It\u2019s one of the most representative work of the Lorrain artist, wel-known for his skille of the chiaroscuro and his Caravaggio\u2019s style\u00a0.In fact, the scenery which shows Saint Joseph and the infant Jesus, is lit up by the candle, so to evoke the intimacy and softness of the picture.<\/p>\n
Out of this work of art, which is conceived around the duality, Sidonie wanted to transcribe the power of the contrasts\u00a0:between day and night, between heat and freshness, between youth and old age. So, she introduced rich amber notes, pointed out by spicy and floral notes, then associated with woody notes of cedar so to echothe heat of the chimney fire.<\/p>\n
<\/p>\n
![\"Buly](\"https:\/\/faireletourdumondeenparfums.com\/wp-content\/uploads\/2019\/10\/Sidonie-Lancesseur--768x1024.jpg\")
<\/a><\/p>\n <\/p>\n
\u00ab\u00a0I knew, straight away, that I wanted to replicate\u00a0 this picture with odours. I wanted to create not only an intense woody perfume but also to reproduce the dark side, with at the same time this innocence,like a vibration,so to reproduce this incredible light. I reckon, it was important for me, that this perfume shoule be in contrast like the painting, with a warm, amber effect, and a more fusing note of pink berries\u00a0\u00bb was telling me Sidonie.<\/p>\n
Perfumes by Sidonie Lancesseur <\/span><\/strong><\/h4>\nChlo\u00e9, Parco Palladiano, IX from Bottega Veneta, Rose Royale from Lalique.<\/p>\n
<\/p>\n
La Grande Odalisque from Jean-Auguste-Dominique Ingres by Domitille Michalon-Bartier<\/span><\/strong><\/h3>\n <\/p>\n
The Grande Odalisque is an order from Caroline Murat, Napoleon Ier \u2018sister, which was created at the same time as the Radeau de la M\u00e9duse. This painting is a tribute to the nude woman, the same subject that\u00a0 haunted all along, Ingres\u2019s career. At first sight, this picture recalls Venus from Turbino, mingled with an Oriental perfume. It is a dreamed and fantasy Orient, in the end, the symbol of the beauty with delicate\u00a0 arabesques of the nude woman.<\/p>\n
<\/p>\n
![\"Buly](\"https:\/\/faireletourdumondeenparfums.com\/wp-content\/uploads\/2019\/10\/Domitile-Michalon--768x1024.jpg\")
<\/a><\/p>\n <\/p>\n
It\u2019s a painting that became an evidence for Domitille Michalon-Bertier. So, she created a a perfume that suggested a talcum-powdery skin, around the Heliotrope, the sour almond and the tonka bean so to evoke an oriental atmosphere. More, she added lots of spicies, such as the pink pepper, the cardamome,.and a trace of caraway to enhance sensuality. Then, cahmeran wood, which is a vibrant wood, associated to a cedar wood which structures the fragrance. Finally, incense to represent this boudoir, where an incense-burner is placed at the young woman\u2019s feet<\/p>\n
Domitlle Michardon- Bertier\u2019s creations <\/span><\/strong><\/h4>\nEau Tropicale from Sisley Couture from Lanvin, Sacred Osmanthus from Alexander Mc Queen.<\/p>\n
<\/p>\n
The Venus de Milo by Jean-Christophe H\u00e9rault<\/span><\/strong><\/h3>\n\u00a0<\/strong><\/p>\nThis white marble statue is supposed to represent Aphrodite, the goddess of love, for the Romans , but also Amphitrite, the goddess of the sea, that was wokshipped at Milo, where she was discovered.<\/p>\n
Jean-Chritophe\u2019s choice was obvious\u00a0for this sculpture. \u00ab\u00a0As a young boy, we had a reproduction of it, at home. I used to touch it ,as I had a close relationship with it.But after the euphoria, came the fear\u00a0! What would I create worthy of this masterpiece\u00a0? He told us.<\/p>\n
<\/p>\n
![\"Buly](\"https:\/\/faireletourdumondeenparfums.com\/wp-content\/uploads\/2019\/10\/Jean-Christophe-Herault-jpg-768x1024.jpg\")
<\/a><\/p>\n <\/p>\n
It was a true challenge to imagine the feminity of the goddess of love into a perfume. That is why Jean-Christophe chose floral notes, such as jasmin and gardenia, associated to woody and amber notes, in order to express all the sensuality, that the sculpture releases.\u00a0\u00bb But, also mandarine ,as the nudity of the marble conveys a sort of freshness. I imagined her moving, dreaming\u2026 She really haunted me\u00a0\u00bbdeclared Jean-Christophe.<\/p>\n
Jean-Christophe Herault\u2019s creations\u00a0<\/span><\/strong><\/h4>\nAmazing green from Comme des Gar\u00e7ons, Alien from Thierry Mugler, Ambre d\u2019Alexandrie from Boucheron.<\/p>\n
<\/p>\n
Buly\u00a0 1803 offers the 8 fragrances into an exclusive collection, available at the pop-up store, under the Pyramid of the Louvre and at the Officine Universelle\u00a0Buly 1803 boutique<\/a> :<\/p>\n <\/p>\n
Annik M\u00e9nardo chose \u00ab\u00a0 the Nymphe au scorpion\u00a0\u00bb, one the major work of art \u00a0of the 1845 exhibition. Lorenzo Bartolini is the sculptor who is\u00a0the perfect representative of the purist movement, at the very heart of the neo-classicism and romantism. One can see that from this work of art, emerges a form of sensuality, where the young lady is about to loose her \u00a0virtue, altough procted by the sorpio. In fact, the marble of the statue reveals a nearly true effect of the skin, underlined by the curves and the counter curves of the model.<\/p>\n
<\/p>\n
<\/p>\n Regarding, the olfactive interpretation, Annick straight away thought of a white,smooth and polish tree.\u00a0\u00bbI used the aldehydic notes, also metallic notes such as coriander and musk in oder to suggest\u00a0 the young age of the nymph. But on the other hand,the poison of the scorpio is implied by the regressive sour almond\u00a0\u00bb says Annick Menardo. So, in one word it is an contemporary aldehydic fragrance.<\/p>\n Bois dArgent from Dior, Hypn\u00f4se by Lanc\u00f4me, Ja\u00efpur for Men by Boucheron.<\/p>\n <\/p>\n <\/p>\n It\u2019s one of the most representative work of the Lorrain artist, wel-known for his skille of the chiaroscuro and his Caravaggio\u2019s style\u00a0.In fact, the scenery which shows Saint Joseph and the infant Jesus, is lit up by the candle, so to evoke the intimacy and softness of the picture.<\/p>\n Out of this work of art, which is conceived around the duality, Sidonie wanted to transcribe the power of the contrasts\u00a0:between day and night, between heat and freshness, between youth and old age. So, she introduced rich amber notes, pointed out by spicy and floral notes, then associated with woody notes of cedar so to echothe heat of the chimney fire.<\/p>\n <\/p>\n <\/p>\n \u00ab\u00a0I knew, straight away, that I wanted to replicate\u00a0 this picture with odours. I wanted to create not only an intense woody perfume but also to reproduce the dark side, with at the same time this innocence,like a vibration,so to reproduce this incredible light. I reckon, it was important for me, that this perfume shoule be in contrast like the painting, with a warm, amber effect, and a more fusing note of pink berries\u00a0\u00bb was telling me Sidonie.<\/p>\n Chlo\u00e9, Parco Palladiano, IX from Bottega Veneta, Rose Royale from Lalique.<\/p>\n <\/p>\n <\/p>\n The Grande Odalisque is an order from Caroline Murat, Napoleon Ier \u2018sister, which was created at the same time as the Radeau de la M\u00e9duse. This painting is a tribute to the nude woman, the same subject that\u00a0 haunted all along, Ingres\u2019s career. At first sight, this picture recalls Venus from Turbino, mingled with an Oriental perfume. It is a dreamed and fantasy Orient, in the end, the symbol of the beauty with delicate\u00a0 arabesques of the nude woman.<\/p>\n <\/p>\n <\/p>\n It\u2019s a painting that became an evidence for Domitille Michalon-Bertier. So, she created a a perfume that suggested a talcum-powdery skin, around the Heliotrope, the sour almond and the tonka bean so to evoke an oriental atmosphere. More, she added lots of spicies, such as the pink pepper, the cardamome,.and a trace of caraway to enhance sensuality. Then, cahmeran wood, which is a vibrant wood, associated to a cedar wood which structures the fragrance. Finally, incense to represent this boudoir, where an incense-burner is placed at the young woman\u2019s feet<\/p>\n Eau Tropicale from Sisley Couture from Lanvin, Sacred Osmanthus from Alexander Mc Queen.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n This white marble statue is supposed to represent Aphrodite, the goddess of love, for the Romans , but also Amphitrite, the goddess of the sea, that was wokshipped at Milo, where she was discovered.<\/p>\n Jean-Chritophe\u2019s choice was obvious\u00a0for this sculpture. \u00ab\u00a0As a young boy, we had a reproduction of it, at home. I used to touch it ,as I had a close relationship with it.But after the euphoria, came the fear\u00a0! What would I create worthy of this masterpiece\u00a0? He told us.<\/p>\n <\/p>\n <\/p>\n It was a true challenge to imagine the feminity of the goddess of love into a perfume. That is why Jean-Christophe chose floral notes, such as jasmin and gardenia, associated to woody and amber notes, in order to express all the sensuality, that the sculpture releases.\u00a0\u00bb But, also mandarine ,as the nudity of the marble conveys a sort of freshness. I imagined her moving, dreaming\u2026 She really haunted me\u00a0\u00bbdeclared Jean-Christophe.<\/p>\n Amazing green from Comme des Gar\u00e7ons, Alien from Thierry Mugler, Ambre d\u2019Alexandrie from Boucheron.<\/p>\n <\/p>\n Buly\u00a0 1803 offers the 8 fragrances into an exclusive collection, available at the pop-up store, under the Pyramid of the Louvre and at the Officine Universelle\u00a0Buly 1803 boutique<\/a> :<\/p>\n <\/p>\n<\/a><\/p>\nOther perfumes created by Annick M\u00e9nardo<\/span><\/strong><\/h4>\n
Saint Joseph Charpentier from Georges de la Tour by Sidonie Lancesseur<\/span><\/strong><\/h3>\n
<\/a><\/p>\nPerfumes by Sidonie Lancesseur <\/span><\/strong><\/h4>\n
La Grande Odalisque from Jean-Auguste-Dominique Ingres by Domitille Michalon-Bartier<\/span><\/strong><\/h3>\n
<\/a><\/p>\nDomitlle Michardon- Bertier\u2019s creations <\/span><\/strong><\/h4>\n
The Venus de Milo by Jean-Christophe H\u00e9rault<\/span><\/strong><\/h3>\n
<\/a><\/p>\nJean-Christophe Herault\u2019s creations\u00a0<\/span><\/strong><\/h4>\n
![\"Buly](\"https:\/\/faireletourdumondeenparfums.com\/wp-content\/uploads\/2019\/10\/Ramdane-Touhami-et-Victoire-de-Taillac-Touhami-683x1024.jpg\")
<\/a><\/p>\n